Implementasi MBKM Magang : Pelaksanaan Agregator Musik Digital di PT Alcor Karya Gemilang

Authors

  • David Kartono Program Studi Administrasi Bisnis, Fakultas Ekonomi, Bisnis, dan Ilmu Sosial, Universitas 17 Agustus 1945 Jakarta, Jalan Sunter Permai Raya, Jakarta Utara, Daerah Khusus Ibukota Jakarta 14350, Indonesia
  • Koerniawan Hidajat Program Studi Administrasi Bisnis, Fakultas Ekonomi, Bisnis, dan Ilmu Sosial, Universitas 17 Agustus 1945 Jakarta, Jalan Sunter Permai Raya, Jakarta Utara, Daerah Khusus Ibukota Jakarta 14350, Indonesia

DOI:

https://doi.org/10.36312/nuras.v6i2.1095

Keywords:

Digital Music Distribution, Information Management, Metadata, Publishing, Streaming

Abstract

This activity aims to analyze the operational process of digital music distribution at the company level, as well as the role of metadata management and publishing administration in supporting the effectiveness of musical distribution. The main problem studied is how metadata accuracy, publishing system integration, and streaming data utilization affect the smoothness of digital music distribution. The method used is a qualitative descriptive approach through direct observation, operational involvement, and documentation of the digital music distribution work process at PT Alcor Karya Gemilang through the Inside Indo label. The results of the activity show that metadata functions as a digital identity of the work that determines the algorithmic indexing process and automatic royalty distribution. The integration of publishing administration improves the legality and efficiency of content validation, while streaming data analysis becomes the basis for promotional decisions and further distribution strategies. Operational constraints such as the need for high accuracy and understanding of technical terms indicate the importance of digital literacy in digital music distribution. The conclusion of the activity confirms that digital music distribution is a data-based system that integrates technical, administrative, and managerial aspects, and has a strategic role in supporting independent musicians to enter the global streaming platform ecosystem legally and systematically.

Downloads

Download data is not yet available.

References

Bintang, G., & Suminar, E. (2024). Strategi Komunikasi Pemasaran Aggregator Musik melalui Optimalisasi Bauran Pemasaran dalam Distribusi Digital. Komunika Bangsa : Jurnal Ilmu Komunikasi, 2(1), 42-51. https://doi.org/10.31848/kosa.v2i1.3459

Fadly, M. (2025). Transformasi Produksi Musik di Era Digital: Studi Kasus Label Musik Besar dan Dampaknya pada Industri Musik Global. Pro Film Jurnal : Jurnal Ilmiah tentang Ilmu Perfilman & Pertelevisian, 4(2), 1-24. https://doi.org/10.56849/jpf.v4i2.90

Fadryona, R. (2021). The Spotify Effect: Peranan Spotify for Artists dalam Industri Musik 4.0. Jurnal InterAct, 9(2), 96-109. https://doi.org/10.25170/interact.v9i2.2188

Luthfi, M. N., & Sulistiyono, A. (2024). Tanggung Jawab Hukum Aggregator Musik terhadap Hak Cipta Musik Pencipta Lagu. Aliansi : Jurnal Hukum, Pendidikan dan Sosial Humaniora, 1(3), 123-141. https://doi.org/10.62383/aliansi.v1i3.180

Nathasya, H., Nuraini, P., At Thohiroh, S. Z., Salma, T., & Rozzaqyah, F. (2024). Analisis Tingkat dan Faktor Penyebab Depresi se Asia Tenggara. Edu Research, 5(1), 70-80. https://doi.org/10.47827/jer.v5i1.157

Putuhena, A. G. (2023). Transformasi Perilaku Konsumen Musik: Dampak Layanan Over-The-Top (OTT) terhadap Pembajakan Musik. Jurnal Media dan Komunikasi (MEKAS), 1(1), 14-27. https://doi.org/10.69688/mekas.v1i1.15

Ruddin, I., Santoso, H., & Indrajit, R. E. (2022). Digitalisasi Musik Industri: Bagaimana Teknologi Informasi Mempengaruhi Industri Musik di Indonesia. Jurnal Pendidikan Sains dan Komputer, 2(1), 124-136. https://doi.org/10.47709/jpsk.v2i01.1395

Saputri, N. A. (2021). Ekonomi Politik Media dalam Industri Musik Digital Spotify. Komunika, 4(2), 214-229. https://doi.org/10.24042/komunika.v4i2.9406

Sepadawati, D., Suhartono, S., & Munir, M. (2024). Pembajakan Karya Cipta Lagu di Era Transformasi Digital. Journal Syntax Idea, 6(8), 3542-3549. https://doi.org/10.46799/syntax-idea.v6i8.4287

Ticonuwu, G. H., Sumakul, T. F., & Maramis, M. R. (2023). Perlindungan Hukum Atas Pencipta Musik Independent di Era Digital 4.0 di Indonesia. Lex Privatum, 12(2), 167-186.

Wijaya, B., & Budiningsih, C. R. (2025). Problema Industri Musik di Era Digital. Jurnal Sosial Teknologi, 5(12), 4575-4582. https://doi.org/10.59188/jurnalsostech.v5i12.32599

Zhao, X., Shen, L., & Jiang, Z. (2024). The Impact of the Digital Economy on Creative Industries Development: Empirical Evidence Based on the China. PloS one, 19(3), e0299232. https://doi.org/10.1371/journal.pone.0299232

Downloads

Published

2026-04-03

How to Cite

Kartono, D., & Hidajat, K. (2026). Implementasi MBKM Magang : Pelaksanaan Agregator Musik Digital di PT Alcor Karya Gemilang. Nuras : Jurnal Pengabdian Kepada Masyarakat, 6(2), 582–591. https://doi.org/10.36312/nuras.v6i2.1095